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Mother imagery in the novels of Afro-Caribbean women
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ISBN: 082621309X 082626316X 9780826263162 9780826213099 1417527005 9781417527007 Year: 2001 Publisher: Columbia : University of Missouri Press,

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Abstract

Focusing on specific texts by Jamaica Kincaid, Maryse Condé, and Paule Marshall, this fascinating study explores the intricate trichotomous relationship between the mother (biological or surrogate), the motherlands Africa and the Caribbean, and the mothercountry represented by England, France, and/or North America. The mother-daughter relationships in the works discussed address the complex, conflicting notions of motherhood that exist within this trichotomy. Although mothering is usually socialized as a welcoming, nurturing notion, Alexander argues that alongside this nurturing notion there exists much conflict. Specifically, she argues that the mother-daughter relationship, plagued with ambivalence, is often further conflicted by colonialism or colonial intervention from the "other," the colonial mothercountry. Mother Imagery in the Novels of Afro-Caribbean Women offers an overview of Caribbean women's writings from the 1990s, focusing on the personal relationships these three authors have had with their mothers and/or motherlands to highlight links, despite social, cultural, geographical, and political differences, among Afro-Caribbean women and their writings. Alexander traces acts of resistance, which facilitate the (re)writing/righting of the literary canon and the conception of a "newly created genre" and a "womanist" tradition through fictional narratives with autobiographical components. Exploring the complex and ambiguous mother-daughter relationship, she examines the connection between the mother and the mother's land. In addition, Alexander addresses the ways in which the absence of a mother can send an individual on a desperate quest for selfhood and a home space. This quest forces and forges the creation of an imagined homeland and the re-validation of "old ways and cultures" preserved by the mother. Creating such an imagined homeland enables the individual to acquire "wholeness," which permits a spiritual return to the motherland, Africa via the Caribbean. This spiritual return or homecoming, through the living and practicing of the old culture, makes possible the acceptance and celebration of the mother's land. Alexander concludes that the mothers created by these authors are the source of diasporic connections and continuities. Writing/righting black women's histories as Kincaid, Condé, and Marshall have done provides a clearing, a space, a mother's land, for black women. Mother Imagery in the Novels of Afro-Caribbean Women will be of great interest to all teachers and students of women's studies, African American studies, Caribbean literature, and diasporic literatures.

Nobody's nation : reading Derek Walcott
Author:
ISBN: 0226074277 0226074269 9780226074276 9786612069628 1282069624 0226074285 9780226074283 9780226074269 9781282069626 6612069627 Year: 2001 Publisher: Chicago : University of Chicago Press,

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Nobody's Nation offers an illuminating look at the St. Lucian, Nobel-Prize-winning writer, Derek Walcott, and grounds his work firmly in the context of West Indian history. Paul Breslin argues that Walcott's poems and plays are bound up with an effort to re-imagine West Indian society since its emergence from colonial rule, its ill-fated attempt at political unity, and its subsequent dispersal into tiny nation-states. According to Breslin, Walcott's work is centrally concerned with the West Indies' imputed absence from history and lack of cohesive national identity or cultural tradition. Walcott sees this lack not as impoverishment but as an open space for creation. In his poems and plays, West Indian history becomes a realm of necessity, something to be confronted, contested, and remade through literature. What is most vexed and inspired in Walcott's work can be traced to this quixotic struggle. Linking extensive archival research and new interviews with Walcott himself to detailed critical readings of major works, Nobody's Nation will take its place as the definitive study of the poet.

Keywords

Thematology --- Walcott, Derek --- Literature and history --- Postcolonialism --- Decolonization in literature. --- History --- Knowledge --- History. --- West Indies --- In literature. --- 820 "19" WALCOTT, DEREK --- -Postcolonialism --- -Decolonization in literature --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- History and literature --- History and poetry --- Poetry and history --- Engelse literatuur--20e eeuw. Periode 1900-1999--WALCOTT, DEREK --- -Walcott, Derek --- -والكوت، ديرك --- デレク・ウォルコット --- -History --- 20th century. --- Walcott, Derek. --- West Indies. --- Decolonization in literature --- English Literature --- English --- Languages & Literatures --- -Knowledge --- 820 "19" WALCOTT, DEREK Engelse literatuur--20e eeuw. Periode 1900-1999--WALCOTT, DEREK --- والكوت، ديرك --- sir derek alton walcott, poet, poetry, playwright, plays, drama, creativity, creative writer, literary, literature, saint lucia, nobel prize, west indian history, historical, society, colonialism, colonial rule, cultural studies, culture, nation states, national identity, creation, contested, confrontational, archival research, interviews, major works, 20th century, postcolonialism, postcolonial, decolonization, henri christophe, dream on monkey mountain, omeros. --- Walcott, Derek (1930-....) --- Littérature antillaise de langue anglaise --- Décolonisation --- Postcolonialisme --- Antilles --- Critique et interprétation --- 20e siècle --- Thèmes, motifs --- Dans la littérature

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